11/21/2023 0 Comments Beautiful beach scenery pictures![]() Shooting blind, it took about 50 shots before I got the right wave, composition and minimal distortion.” Scott Mead I got this crab’s eye view by dangling the camera about a quarter-inch off the sand, then lifting it up a moment before the foam could touch the body. “There are times when I keep the wide angle lens in the bag and have fun with a fisheye. Gear: Canon 5D MARK II, Canon 15mm f/2.8 fisheye, hand held. Location: “White Rock” beach, Wailea, Maui, Hawaii. I was able to shoot for about a minute-and-a-half before the sun disappeared beneath another cloud bank above the horizon – the ultimate reward for patience.” Scott Mead Five minutes before sundown, the sun broke through the cloud layer, illuminating the vog-filled air with a pink sunset. “Sometimes you get a great sunset, even in the worst conditions: The afternoon had been overcast and rainy, but when I saw broken clouds near the horizon, I decided to setup my gear anyway and covered it from the elements. Gitzo Carbon 6X Explorer GT2541EX tripod, Acratech leveling base and GP-S ballhead. Gear: Canon 5D MARK II, Canon 16-35mm f/2.8, Singh-Ray Galen Rowell 2-stop, hard-edge split ND filter. Location: Lava outcropping, Pahoehoe Beach Park, Keauhou, Big Island, Hawaii. ![]() If you wait until noon when the sun his high in the sky and do a really tight macro on some wet sand, it can really look incredible. Different beaches are made up of a multitude of different things. You can also pull out a macro lens and shoot foot prints or little crabs. It’ll hit the sand and reflect up, so as the waves curl, you’ll get some incredible aqua colors. If you have really shallow water, you wan wait until the sun is really high and in back of you and that light will come through the water. Everything is always changing at the beach. Sunrise and sunset are obviously great times for beach shots, but what do you shoot in mid-day sun? “With the sun beginning to peak beneath the clouds, two split ND filters help balance the light, while slowing down the shutter to a half-second – just enough time to blur the receding wave and capture the next curling over.” Scott Mead Gear: Canon 5D MARK II, Canon 16-35mm f/2.8, Singh-Ray Galen Rowell 3-stop, hard-edge and 2-stop soft edge split ND filter. Location: Makena Cove, Makena, Maui, Hawaii. Interesting abstracts abound under your feet, with pebbles, drift wood, lava rock or coral.” Scott Mead Gear: Canon 1DS, Canon 24-70 F/2.8, Gitzo Carbon 6X Explorer GT2541EX tripod, Acratech leveling base and GP-S ballhead. Location: Coral laden beach, Makena, Maui, Hawaii. You have to have it off at least a little bit. You also want to make sure the sun isn’t going to be the bullseye in the image. I like to have some motion within the image. If I’m shooting a sunset, it obviously has to be west-facing, but it also has to have some really good wave action. Typically what I’m looking for is something that has a really solid foreground to anchor the image. What do you look for in a good shooting spot on the beach? “Two boats, a row of coco palms and a Vog (volcanic smog) filled sky provide the right ingredients for a great silhouetted sunset of the Big Island’s Anaehoomalu bay.” Scott Mead ![]() Gear: Canon 5D MARK II, Canon 24-105mm f/4, Singh-Ray Galen Rowell 2-stop, hard-edge, split ND filter. Location: Anaehoomalu Bay (A-Bay), Waikoloa, Big Island, Hawaii. Here are some tips for taking full photographic advantage of your next trip to the beach. Since then, he has been creating striking images of sand, sea, and sun. Scott Mead‘s adventure in beach photography started back in 1975 when his grandfather gave him a Kodak Instamatic and sent him off on the sands of Maui.
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